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Twenty-one concert arias for soprano : complete volumes I and II in SearchWorks catalog
Log in Register. Export citation Request permission. Footnotes Hide All All. Composer: Handel, George Frideric.
Composer: Bach, Johann Sebastian. Performer s : Alina Ibragimova Violin , Arcangelo. Title: Sorochintsky Fair - Gopak.
Composer: Mussorgsky, Modest. Performer s : Nathan Milstein Violin , Orchestra. Title: Cello Concerto No. Album: Boccherini: Cello Concertos Vol. Title: Fandango From Concierto Madrigal. Complete Work Name: Concierto Madrigal.
Chi sà, chi sà, qual sia
Select Station. Liz Nolan's Classic Drive Weekdays, 4 - 7pm. The aria shows her deep and tender feelings, not far removed from those of Countess Almaviva. This recitative and aria en rondeau was composed for the alto castrato Francesco Fortini. Fortini was a virtuoso da camera chamber virtuoso of the elector of Bavaria and was in Salzburg performing with an Italian troupe that specialized in opere buffe. It was most unusual for castrati to sing in comic opera they were already the subjects of much comic repartee , and Fortini may have appeared only in concert repertory with the company.
Mozart may have provided this distinctly opera seria aria for such a concert. Here, early in the opera, Arsace takes leave of his beloved and wonders if he will ever see her again. Origin: London, Author: Pietro Metastasio Scoring: tenor, 2 oboes, 2 bassoons, 2 horns, strings. The aria is sung by Massimo, who has just made an unsuccessful attempt on the life of the emperor. Origin: Salzburg, December Author: anonymous Scoring: tenor, 2 oboes, 2 bassoons, 2 horns, 2 trumpets and timpani, strings. The text makes specific reference to this occasion.
Mozart composed another licenza , K. Origin: Salzburg, May 19, Author: anonymous Scoring: tenor, 2 flutes, 2 horns, strings. In and Mozart appears to have written no fewer than five arias and scenes in connection with a visiting Italian opera buffa troupe in Salzburg: these include K. Perhaps it served as an insertion aria in the same opera as the contemporaneous aria, K. It is conceivable that Mozart wrote these arias for the use of a local Salzburg singer performing with the Italian troupe. Origin: Salzburg, May Author: anonymous Scoring: tenor, 2 oboes, 2 horns, strings.
Contemporaneous with K.
In this scene the devil-may-care Capitano Faccenda, disguised as a doctor, appeals boastfully for the hand of Clarice, the daughter of Don Timoteo, the wealthy but choleric landowner who sings the present aria. The following year Mozart composed another insertion aria, K. Origin: Salzburg, September Author: anonymous Scoring: tenor, 2 oboes, 2 horns, strings. Mozart composed this aria specifically for the singer Antonio Palmini. It is an insertion aria for the same opera and scene as K. Typically for a buffa aria of this sort, a second character Don Timoteo interrupts with commentary in recitativo secco.
Origin: Mannheim, February 27, Author: Antonio Salvi Scoring: tenor, 2 flutes, 2 oboes, 2 bassoons, 2 horns, strings. This is one of the three concert arias K. He composed the works for three of the principal singers of Mannheim: the sopranos Aloysia Weber [Lange], and Dorothea Wendling, and the tenor Anton Raaff.
Raaff was reportedly delighted, but asked Mozart to shorten the composition. Mozart was later to create the title role in his opera Idomeneo for Raaff. Author: anonymous Scoring: tenor, flute, oboe, clarinet, 2 bassoons, 2 horns, 2 trumpets and timpani, strings.
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It is possible that the tenor aria K. No more is known of the projected opera. The present aria, unlike the fragmentary K. Origin: Vienna, June 21, Author: anonymous Scoring: tenor, 2 clarinets, 2 bassoons, 2 horns, strings. Like the two arias K. Mozart composed it specifically for the German Johann Valentin Adamberger, one of the finest tenors of his day, for whom Mozart later created the role of Belmonte in The Abduction from the Seraglio. December ? Author: anonymous Scoring: tenor, 2 flutes, 2 bassoons, 2 horns, strings. He was eager to be recognized as a master of Italian operatic music and asked Mozart for a highly effective solo that he could introduce into a forthcoming Vienna production of the opera Temistocle , originally set to music by Andrea Bernasconi.
In this aria, Sebaste, a subsidiary character, has been found out in evil-doing, and is filled with remorse. This aria was also composed at the request of Ludwig Fischer. Fischer had been dropped from the Vienna Italian Opera Company and he evidently wished to show authority its grave mistake. Again Mozart went back to a Metastasio text; this time he chose words he had already set in for the soprano Aloysia Weber Lange see K. Like the aria K. In this aria, a father is bidding farewell to his daughter.
"Chi sà, chi sà, qual sia", aria, K582 Sheet Music by Wolfgang Amadeus Mozart
The poem was by J. This charming trifle came into being while the master was busy preparing Don Giovanni for its Vienna premiere. Scoring: bass, 2 oboes, 2 bassoons, 2 horns, strings. The clouds of mystery have not yet completely lifted from this short piece.
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But the English scholar Alan Tyson has shown that the surviving autograph fragment is of a type of paper that Mozart used primarily in Origin: Vienna, December Author: Lorenzo da Ponte Scoring: bass, 2 oboes, 2 horns, 2 trumpets and timpani, strings. The bass soldier, Guglielmo, is the first to do the courting on behalf of both of them: da Ponte gave him an unusually long aria text, brilliantly and wittily imagined, and vividly inspiring to Mozart.
The disguised Guglielmo begins the aria by addressing his own sweetheart, recommending his tenor friend to her attention; he then asks her sister to admire his own virtues. When his wooing turns out to be unsuccessful, he is delighted: it means that the two young women are for the time being at least faithful to their lovers. Origin: Vienna, March 8, Author: anonymous Scoring: bass, flute, 2 oboes, 2 bassoons, 2 horns, strings with double bass obbligato. The occasion was most likely a subscription concert for Gerl or Pichelberger.
Mozart treats both soloists as virtuosi, asking the double bassist for plentiful double-stops in thirds, rapid scales, arpeggios, and wide leaps, and the bass singer for comparable feats. Scoring: soprano, tenor, 2 basses, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, strings. Scoring: soprano, tenor, bass, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, strings. The original opera had premiered the previous year in Bologna.
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In the opera, the Count is in love with Mandina, a simple peasant girl who is engaged to marry the peasant boy Pippo. Finally the Count decides to abduct Mandina by giving her a sleeping potion. Though it happened without his knowledge, K. Origin: Vienna, March 10, Author: anonymous Scoring: soprano, tenor, 2 oboes, 2 bassoons, 2 horns, strings.
Origin: Vienna, April 28, Author: Lorenzo da Ponte Scoring: soprano, bass, 2 flutes, 2 oboes, 2 bassoons, 2 trumpets, strings. Concert arias and scenes for soprano K. Author: anonymous Scoring: soprano, 2 horns, violin, viola, bass This recently discovered work appears to date from the late s. K 2 a Basta vincesti Io non chiedo, eterni dei K 6 b Origin: Paris, July ; Munich, January 8, Author: Raniero de Calzabigi Scoring: soprano, oboe, bassoon, 2 horns, strings While Mozart was in Paris in the summer of , he set as ide time from his busy rounds to begin an ambitious operatic scena for Aloysia Weber.
Author: anonymous Scoring: soprano, [2 oboes, 2 horns, strings] This aria exists only in an undated non-autograph version for voice and piano. Origin: Vienna, April 10, Author: anonymous Scoring: soprano, flute, oboe, bassoon, strings This delicate little piece is the most exquisite of the handful of concert arias Mozart wrote in his native German tongue. Ah, non sai qual pena Origin: Vienna, January 8, Author: Gaetano Sertor Scoring: soprano, 2 oboes, 2 bassoons, 2 horns, strings This aria is perhaps the most distinguished of the series dedicated to Aloysia Weber Lange.
Author: anonymous Scoring: soprano, [orchestra] This aria exists only in an undated non-autograph version for voice and piano. Origin: Vienna, June 20, Author: anonymous Scoring: soprano, 2 oboes, 2 bassoons, 2 horns, strings The circumstances concerning the composition and performance of K. Scoring: soprano, 2 clarinets, 2 bassoons, 2 horns, piano obbligato, strings This is arguably the greatest concert aria ever composed.
Michele Scarcone Scoring: soprano, flute, 2 oboes, 2 bassoons, 2 horns, strings Don Giovanni opened in Prague on October 29, K 3 c In quali eccessi Scoring: soprano, 2 basset horns, 2 bassoons, 2 horns, strings The Marriage of Figaro was revived in Vienna in
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